The latency between devices can be as low as 250 microseconds.
That is more than enough for my use but if I needed more, then there are optical solutions, which can extend that to kilometres. Over standard Ethernet cables, I’m able to have cable runs between devices of up to 100 metres. There is a huge range of products that all talk Dante that I can choose from.Īs my needs are growing I am looking beyond what I am currently using and able to expand my channel count quite easily without being constrained to one brand. As mentioned I already have Dante equipped hardware from Focusrite, Audinate and SSL. I also was not limited to purchasing from a single brand. I’ll also say that maintaining the Dante network takes very little effort, once you’ve connected a device and patched it in Dante Controller, the settings will be remembered until you change them, there is no need to become a networking guru in order to get the most out of it. For the first time in 20 years, I’ve not had to bother with word clock at all. A second connection for redundancy is also an option but requires more networking hardware and most smaller studios will not need this.Īll clocking is handled via Dante and all the devices can be set to clock from the what is known as the “preferred master” device, which in my case is the Red 16Line. Simplified Cabling And ClockingĪs mentioned all you need to do is to connect that new device to your network switch with a single Ethernet cable. Adding more channels is simply a matter of purchasing a device that provides the necessary number of channels that you require. As a technology, Dante affords some very high channel counts, well beyond what I could ever use. Either I could go for an ADAT converter and use the light pipe inputs on the interface, or I could add a Dante converter, connected to the network with a single Ethernet cable. When I purchased the Focusrite Red 16Line I quickly decided to expand it beyond its 16 channels of I/O. Why Did I Choose An Audio interface With Dante? Channel Count And Expandability I have a couple of other Dante products to hand as well, an SSL Nucleus 2 and an Audinate AVIO 2 channel input adapter, as well as several computers running Dante Virtual Soundcard. My main recording studio interface is now a Focusrite Red 16Line, expanded with a pair of Focusrite A16R’s and a Focusrite X2P giving me 48 channels of analog IO together with 32 channels via Dante. Over time I expanded my studio with more Dante equipment. As part of my research into the Red 8Pre, I learnt a little more about Dante as a technology. One product came up in the search - the Focusrite Red 8Pre, which did all of this, as well as providing 32 channels of Dante.
#Dante virtual soundcard not seeing available channels pro
My particular wish list for a new interface was to have a product that supported low latency native (over Thunderbolt 2/3), as well as Pro Tools HDX. Up until then, Audio over IP and Dante had not really been on my radar, even though I had heard about them, at the time it seemed to be mainly for broadcast and live environments. I started using Dante in 2017 when I was looking for a new audio interface.
But what about smaller facilities and one-room studios? It is this setting that we are going to explore in this article. Audio over IP, and in particular Dante, has become very popular in broadcast and live sectors of the audio industry as well as in some of the larger studios and multi-room facilities.
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